Vol. 3 No. 1 (2025): “Beyond Good And Evil”? On the “Ethical Turn” in Literary Studies
Reviews

Pop and Postfeminism: Female Dandyism in Popular Music by Nathalie Weidhase, Bloomsbury Academic, London, 2024.

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Sumyat Swezin
University of Debrecen
DOI: https://doi.org/10.69706/PP.2025.3.1.13

Published 12/31/2025

Keywords

  • female dandyism,
  • Nathalie Weidhase,
  • pop,
  • postfeminism,
  • review

Copyright (c) 2025 Sumyat Swezin

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

Nathalie Weidhase’s Pop and Postfeminism: Female Dandyism in Popular Music (Bloomsbury Academic, 2024) examines the intersection of pop stardom, gender performance, and postfeminist discourse through the lens of female dandyism. Analyzing contemporary musicians who subvert traditional femininity with androgynous aesthetics and rebellious personas, Weidhase explores how these artists negotiate power, identity, and consumer culture. 

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