V. 14 N. 1-2 (2013)
Artes

La rupture dans les usages des images (photographiques) à l’ère du numérique

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François Soulages
Université Paris 8 & Institut National d’Histoire de l’Art
DOI: https://doi.org/10.1556/Verb.14.2013.1-2.2

Pubblicato 01-12-2013

Parole chiave

  • image,
  • digital photography,
  • contemporary art,
  • hybridization

Come citare

Soulages, F. (2013). La rupture dans les usages des images (photographiques) à l’ère du numérique. Verbum – Analecta Neolatina, 14(1-2), 20–38. https://doi.org/10.1556/Verb.14.2013.1-2.2
Creative Commons License

TQuesto lavoro è fornito con la licenza Creative Commons Attribuzione 4.0 Internazionale.

Abstract

The paper focuses on digital photography. Everything has been changed by digital technology: digitalization is relevant in the creation of images, their communication, their reception, also their mixing and hybridization with other techniques — like in sound design, for example. The image is certainly an uneventful image, but, above all, it is an image open to all eventualities. Has computing replaced existence? In short, is there rupture or continuity between these two kinds of images?

PDF (Français (France))