Vol. 13 No. 1 (2012)
Critica

Perséfone e a Polaroid. Escrever a imagem para entrar na morte (sobre alguns poetas contemporâneos, especialmente de língua portuguesa)

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Biagio D'Angelo
Université Catholique Pázmány Péter
DOI: https://doi.org/10.1556/Verb.13.2012.1.8

Published 01-07-2012

Keywords

  • photography,
  • literature,
  • death,
  • present,
  • punctum

How to Cite

D’Angelo, B. (2012). Perséfone e a Polaroid. Escrever a imagem para entrar na morte (sobre alguns poetas contemporâneos, especialmente de língua portuguesa). Verbum – Analecta Neolatina, 13(1), 107–124. https://doi.org/10.1556/Verb.13.2012.1.8
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

This paper discusses the relationship between writing and photography. The essays by Susan Sontag and Roland Barthes will be the theoretical bases for authors such as António Lobo Antunes, Ruy Belo, Núno Júdice, Vasco Graça Moura, Miguel Torga, Sofia de Mello Breyner Andresen, Rolf Dieter Brinkmann, Hilda Hilst, and Wislawa Szymborska. We would like to observe how the Other - in the photographical discourse - is narrated in a death perspective. Image, in fact, presents, in its paradoxical totality, catastrophic tensions and emptiness.

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