La dissimulation qui apparaît

Autores/as

  • Anikó Radvánszky Université Catholique Pázmány Péter

DOI:

https://doi.org/10.1556/Verb.13.2012.1.3

Palabras clave:

literary space, récit, unworking, narrative voice, neuter, exteriority

Resumen

Blanchot got closest to seizing the self-reflexivity of the literary work of art in the third piece of the triptych of Èze, a short story entitled Celui qui ne m'accompagnait pas. The central plot of the story is woven around a conversation the narrator is involved in with a mysterious "he", who is the other, unknown part of himself and an anthropomorphic work of art at the same time. The scene of the story gradually becomes an imaginary one, "the literary space" itself, making a possible entrance into the void, the lack of time, where the writingmay be born.

Publicado

01-07-2012

Número

Sección

Artes

Cómo citar

La dissimulation qui apparaît. (2012). Verbum – Analecta Neolatina, 13(1), 32-39. https://doi.org/10.1556/Verb.13.2012.1.3

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