Aspects of Analysing Trauma Fiction by Observing Lolita’s Impact on the 21st Century Novel, My Dark Vanessa

Authors

  • Kata Bodnár Pázmány Péter Catholic University Faculty of Humanities and Social Sciences

DOI:

https://doi.org/10.69705/FHS.2023.1.2.1

Abstract

Trauma studies in literature have only appeared towards the end of the 20th century, hence psychological analysis in fiction is a relatively new field, therefore observing pieces of trauma fiction has its challenges. Further improvement of trauma analysis is essential since earlier pieces of the literary canon can gain new interpretations with this method. This article aims to apply several methods of analysing trauma fiction from both psychologists and literary theorists. The focus is on the impact of trauma and its effect on the narrator’s memories making her fractured narration unintentionally unreliable. Consequently, the reader plays a significant part while reading trauma fiction since they are the ones who put the pieces of the story together when the narrator is set back by the overwhelming event. Moreover, due to the fact that repeated trauma is more likely to happen in captivity, it is essential to observe the setting of the novel. The emphasis is not only on the physical setting but also, due to PTSD, on psychological aspects like memories and dissociations.

References

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Horvitz, D. M. (2000). Literary Trauma: Sadism, Memory, and Sexual Violence in American Women’s Fiction. State University of New York Press.

Nabokov, V. (2015). Lolita. Penguin Books.

Olson, G. (2003). Reconsidering Unreliability: Fallible and Untrustworthy Narrators. Narrative, 11(1), 93–109. https://doi.org/10.1353/nar.2003.0001

Pederson, J. (2014). Speak, Trauma: Toward a Revised Understanding of Literary Trauma Theory. Narrative, 22(3), 333–53. https://doi.org/10.1353/nar.2014.0018

Russell, K. E. (2020). My Dark Vanessa. HarperCollins UK.

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Published

31-12-2023 — Updated on 11-06-2024

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Articles